This new solo project that brings together works of Chopin, jazz, and Brazilian repertoire is simply, for me, a way to focus on the beauty of the sound of the piano. I recorded this material on an instrument that allowed me to move in harmonic directions that I had not planned in advance. In fact, the free improvisations that interweave with the Chopin tracks were not something I'd planned to record. I often play free to get inside of the sound of whatever piano I am playing. Because my arrangement of the Chopin works are fairly intricate, playing free reminded me of the sheer beauty of creating sound.
Some of the Chopin pieces I've selected come from my growing up years as a classical piano student. The first track, the well-loved Nocturne in E-flat major, is something I initially studied in sixth grade. Coming back to this piece both as an interpreter and as an improviser is, in a way, the closing of a circle: I look back and see the little girl who was so nervous when she won a piano competition and had to perform the piece in front of a room full of people that she walked up to the stage with her shoulders held up to her ears. By doing this recording, I am thanking that little girl for continuing to pursue the beautiful sound of the piano that continues to sustain her and that also gives life to others around her.
I need your help in releasing this recording. Click on the pic above to pre-order and "fuel" the project, and click here to hear individual soundclips. Thank you for your continued support and open ears.
The Chopin Project: pre-order here!
Deanna’s upcoming (spring 2012) solo piano recording features
articulate, unusual jazz takes on eight Chopin pieces, four of which
combine Chopin with Brazilian pieces (Manhã de Carnaval, Olha Maria,
Insensatez) or rhythms (baião). Six short free improvisations
are interspersed between the Chopin arrangements.
From This Place: order here!
Witkowski has combined the spirituality of the soul and heart with the spirituality of jazz...her music is 'healing to the soul.' -Rev. Peter O'Brien, Mary Lou Williams Foundation
Length of Days: order here!
If, among contemporary pianists, Brad Mehldau and Bill Charlap represent the gold standard, then Deanna Witkowski deservedly
ranks as their sterling sister. -Christopher Loudon, JazzTimes
Wide Open Window
Witkowski is not far from jazz stardom with her
keyboard techniques, her imaginative composing
and arranging, and her wordless vocalizing.
Remember her name.
-Harvey Siders, JazzTimes
Deanna's spirit- and her spirituality- come through
on this consummate debut, and that spirit is astonishing.
-Don Glasgo, Jazz Improv